I am delighted to have my chapter mate from the Fantasy, Futuristic and Paranormal Chapter of Romance Writers of America, SUSANNAH SANDLIN, with me today to talk about her new vampire romance, REDEMPTION, first in the Penton Legacy Trilogy, scheduled for release on June 12.
Susannah Sandlin is an author of paranormal romance set in the Deep South, where there are always things that go bump in the night! A longtime journalist, Susannah grew up in Alabama reading the gothic novels of Susan Howatch, and always fancied herself living in Cornwall, although she’s never actually been there. Details, details. She also read a lot of Stephen King–the combination of Howatch and King probably explains a lot. Currently a resident of Auburn, Alabama, Susannah has also lived in Illinois, Texas, California, and Louisiana.
Susannah has generously agreed to provide a free e-copy of REDEMPTION for one commenter. All you have to do is comment or ask a question at the end of the interview to be entered to win. (If you’d prefer a print copy, she will also provide that after her June 12 release date.)
Susannah, what made you want to be an author? At what age did you start telling stories and then writing them down?
I’ve been writing since I was a kid. I went through the bad poetry phase, then the bad short story phase, then another bad poetry phase before going to journalism school and going into a career of nonfiction writing. I only caught the novel bug three or four years ago.
What do you like best about being a writer? What do you like the least?
The thing I like best is (I know, call me crazy) revising and polishing. I love that process. The thing I like least is writing the first draft. It’s painful….painful, I tell you! At some point in every manuscript I reach the “this is crap” phase and have to crawl my way out.
How do you think your experience as a journalist has prepared you for writing a paranormal romance?
It’s actually been a big stumbling block for me because as journalists we’re taught to keep emotion out of our writing. It’s helped me learn to craft a story and write fast, but accessing my emotions and putting them into the minds and bodies of a fictional character has run counter to all my training.
Have you ever felt as if you were being dictated to while you wrote a book–as if the words came of their own accord? If yes, which book did that happen with?
I get in what I call “the zone” in certain scenes in every book, where the words come easily and the dialogue flows and the scenes seem to write themselves (as opposed to the scenes where every word feels as if it’s being ripped bodily from my skull—LOL). In Redemption, it seemed to happen most in scenes told from my character Mirren’s point of view. He isn’t even the hero of this book (the second book in the series is his story), but I had to fight him to keep him from taking over!
You’ve written five novels (three in a different genre). What’s your favorite time management tip?
I work a full-time day job and have the usual responsibilities at home, so my writing time is limited and I have to make the most of it. That means butt-in-chair every night and during the days on weekends. I’m really bad to dawdle on email and online, so I use an online stopwatch (http://www.online-stopwatch.com/) and write in 20-minute spurts during which I can’t check email or play with my dog or anything besides write.
Are you a plotter or a pantser, i.e., do you outline your books ahead of time or are you an “organic” writer?
I’m a dedicated plotter, again because I feel as if I need to make every writing minute count. That said, I do leave enough “wiggle room” in my outlines so when my characters do something unexpected—which seems to happen frequently—I can make adjustments without straying too far off-plot.
If you had one take away piece of advice for authors, what would it be?
It would be to decide how badly you want to be published and how much you’re willing to sacrifice for it. Family, friends, pets, household chores—everything and everyone gets neglected, especially close to deadlines. I know some really good writers who want to be published but don’t want to give up what it takes to get published, which includes not only putting in the time at the keyboard but also studying the industry and continually working to improve their craft.
Tell me more about REDEMPTION. 
The world’s vampire population is on the brink of starvation since the vaccine to treat a global pandemic rendered human blood deadly to them. Their only hope for survival is a handful of rural areas that the vaccine never breached. The tiny town of Penton, Alabama, is one such enclave, where the immortal Aidan Murphy has established a community of vampires and their willingly bonded humans. Together, they live in peace—until Aidan’s estranged brother descends upon the town and begins attacking its humans. Whether the rampage is a result of his centuries-old feud with Aidan or the civil war threatening to erupt in the vampire world matters not. All that matters is the blood. Desperate to save his adopted family, Aidan breaks one of his cardinal rules, kidnapping an unvaccinated human doctor—and unexpectedly falling in love for the first time in nearly four hundred years. Dr. Krystal Harris, forced into a world she never knew existed, must face up to her own abusive past to learn if the feelings she’s developing for her kidnapper are real—or just a warped, supernatural kind of Stockholm Syndrome in which she’s allowing herself to become a victim yet again.
How about an excerpt from REDEMPTION?
Krystal Harris pulled to the shoulder of the two-lane road—highway was too grand a word—and punched the button to turn on the old green Corolla’s dome light. She counted to five before thwacking it with the heel of her palm, and a dim light blinked as if considering her demand. It stayed on—this time.
The car was a dinosaur, but it was a paid-for dinosaur.
She dug a folded Alabama road map from beneath her briefcase on the passenger seat, smoothing the creases to make sure she hadn’t driven past Penton, which she suspected was no more than a wide spot on a narrow road. She didn’t want to get lost out here in the boonies.
Yep, County Road 70. The highway to Penton just looked like the express lane to nowhere.
A gust of wind rocked the car, sending icy air around the loose door seals. Maybe the chill of this night was an omen that she should take this job if they offered it, just so she could buy a more respectable form of transportation. Still, doubts nagged at her. What kind of clinic conducted a job interview at 9 p.m.?
She should never have agreed to it, but the Penton Clinic administrator had waved big bucks in front of her huge college and med school debts, and she’d trotted after them like a donkey after a carrot.
“You had the goody-two-shoes idea of practicing rural medicine, plus you’re already here,” she chided herself, clicking off the overhead and pulling back onto the road. “And you’ve gotta admit, this is rural.”
Another omen, and not a good one: she was talking to herself. Out loud.
A couple of miles later, her headlights illuminated a battered wooden sign covered in peeling paint: Welcome to Penton, Alabama. Founded 1890. Population 3,275.
Twenty years ago, maybe. Krys had done her Penton homework, and that was the boomtown population, when the mammoth East Alabama Mill still churned out threads and batting. It had wheezed its final belch a decade ago, and the town had suffered a slow death by attrition even before the pandemic. The most recent listing Krys found online estimated a population of three hundred. She was surprised they could afford to hire a doctor, much less pay a more-than-competitive wage.
But this was what she wanted, right? A place to practice medicine and be her own boss, to find a community where she could belong? After growing up in Birmingham—the wrong side of Birmingham—she hated the grime and crowds and noise of the city.
Lost in thought as she approached the outskirts of town, she thought she saw an animal in the road—a deer or a bear, maybe—God only knew what wildlife lived out here. But it was a man. He wore a long coat that flapped in the wind and was backlit by a lone streetlight in front of an abandoned convenience store. She’d have blown past him if he hadn’t moved into the middle of the road when the glare of her headlights hit him like a spotlight.
He stood with his hands in his pockets, feet planted apart, watching calmly as she floored the brakes. The Corolla’s old tires squealed, stinking up the air with the smell of hot rubber and stressed brakes.
Good Lord. Was he nuts?
She got the car stopped and took a deep breath, hands frozen to the wheel, her muscles jittery from the aftershock. The man walked around and tapped on her driver’s side window, motioning for her to lower it. Krys’s foot hovered over the accelerator, indecisive. Should she drive on and get the hell out of here?
No, by God, she should not. She’d at least lower the window enough to tell the jerk how close he’d come to ending his life as a hood ornament on a green Toyota Dinosaur.
He held up his empty hands in a gesture of peace. Right. Like he was going to hold up a sign that said Beware of Murderous Backwoods Whack Job.
She snaked her right hand to her purse in the passenger seat, wrapped cold fingers around the handle of a small pistol, and slipped it into the pocket of her suede jacket—after she was sure the man had seen it. The .38 Smith & Wesson snub-nose was her security blanket, and she knew how to use it.
His only reaction to the gun was a raised eyebrow. “I have a man injured here.” His voice was deep and melodic, and he had a trace of an accent, as if he’d grown up not speaking English but had been around a few too many Southerners. “You the doctor coming to Penton for the interview?”
She lowered her window an inch and stared as he knelt next to the driver’s side door, putting his face at eye level. And damned if it wasn’t one of the most beautiful faces she’d seen since…maybe ever.
He’d pulled his dark hair into a short ponytail except for one wavy strand that had pulled loose and blew against his cheek. The streetlight cast enough illumination for her to see the dark lashes fringing blue eyes that reminded her not so much of summer skies or robin’s eggs but of the richness of an arctic sea flowing over darker depths. They appeared to lighten as he studied her with an intensity that almost robbed her lungs of air.
He had a strong jaw, full lips, and a slight cleft in his chin. If he was a serial killer, he was at least a pretty one.
He cleared his throat. “Are you Dr. Harris?”
Krys caught her breath. Good Lord, what was wrong with her? She’d been practically drooling through a half-open window as though he were Adonis personified. He could be Charles Manson’s separated-at-birth, unidentical twin.
Except he knew her name.
Where can readers find more about your stories, books and you on the Internet?
Amazon * Barnes & Noble * Book Depository
Website & Blog
Susannah, thanks you so much for being with us here today. I know my readers will enjoy your work and your interview.














